The New Homes Bonus

In an attempt to tackle the UK’s housing shortage, an important new government policy – The New Homes Bonus – has been drawn up to reward local councils each time a new home is built.  The rewards, based on the council tax band of individual properties, offer monetary bonuses for each of the first six years the property is occupied.

According to the government, “The New Homes Bonus addresses the disincentive within the local government finance system for local areas to welcome growth. Until now, increased housing in communities has meant increased strain on public services and reduced amenities. The New Homes Bonus will remove this disincentive by providing local authorities with the means to mitigate the strain the increased population causes. This will ensure that the economic benefits of growth are returned to the local authorities and communities where growth takes place.”

The premise is ostensibly good, however, as today’s Channel 4 news Fact Check report reveals, there is a problem: the scheme will disproportionately benefit affluent areas such as Surrey where there is a greater demand for high-cost ‘larger executive homes’.   In turn, local councils in more deprived areas in the North of the country and in London boroughs such as Hackney, will receive a lesser amount of ‘bonus’ money to fund vital public services.

Government subsidies will offer local councils in areas such as Waverly and St Albans an average of £1,567 per new build; however councils in poorer areas such as Liverpool, Tower Hamlets and Hackney will receive an average of £1,268. 

As Cathy Newman explains, “linking the New Homes Bonus to council tax is flawed”.  Rather than focus on meeting demands for affordable homes and social housing; the scheme rewards those councils that provide high-cost accommodation for already affluent areas with a higher monetary incentive.  As outlined in the Channel 4 News report, the policy has already received criticism from communities and organisations who are worried that the scheme will discourage the building of new flats and social housing developments in poorer areas, as the financial return will be an average of 26% less.  As well as this, the scheme will perversely favour the construction of executive housing and exacerbate the north-south divide, according to housing experts. (Jamie Doward, The Guardian, 27 February 2011)

Books on Modernism and Urban Regeneration

 
I often feel like Owen Hatherley should be paying me to do his PR.  Anyone interested in modernist buildings and notions of ‘utopia’ (i.e. us) should make time to read this erudite and fearlessly critical book on 20th Century modernism. 
 
According to Simon Reynolds, Hatherley’s ”…ideas-packed and intensely-felt book is neither a misty-eyed memorial nor a dour inquest, but a verging-on-erotic mouth-to-mouth resuscitation. Rediscovering the enchantment of demystification and the sexiness of severity, Hatherley harks forward to modernism’s utopian spirit: critical, radically democratic, dedicated to the conscious transformation of everyday life, determined to build a better world.”
 
I am currently reading his more recent publication, A Guide to the New Ruins of Great Britain – excerpts of which I have quoted below.  
 
 
Two themes very relevant to our research are outlined in Hatherley’s introduction.  One is the concept of Pseudomodernism (an architectural ‘style of consumption’ not far from our understanding of Neo-Utopianism) and the other is the “under-investigated word ‘regeneration’”.
 
Pseudomodernism (extracts)
“The New Modernism, like the new social democratic parties, is one emptied of all intent to actually improve the living conditions of the majority.  Instead, the social use of the pseudo-modernist building, forever groping for the Bilbao effect, appears in a rather Victorian manner to be the uplifting of the spirit via interactive exhibits and installations…
 
…its [Pseudomodernism's] forebears are in the aesthetics of consumption and advertising, in forms designed to be seen at great speed, not in serene contemplation…  It should not surprise us that a style of consumption would return under neoliberalism, but the formal affinities of Pseudomodernism with this aesthetic offers an alternative explanation for what often seems an arbitrary play of [architectural] forms…
 
…It allows us to reinterpret what purports to be an aesthetic of edification as one of consumption. In the computer-aided creation of futuristic form, today’s architects are producing enormous logos, and this is only appropriate.  The architecture once described as deconstructivist owes less to Derrida than it does to McDonalds… (pxxix)
 
Regeneration (extracts)

…A major change from the suburbanism of the Thatcher and Reagan version of neoliberalism is a new focus on the cities, something which is usually encapsulated by the under-investigated word ‘regeneration’.  Indeed, any form of building in an urban area is usually accompanied by this term…(pxxiii)
 
These ‘transformations of space’ which Hatherley describes as ‘regenerated areas of bourgeois colonization’ are, it should be remembered, “fundamentally different in their social consequences to the superficially similar ‘comprehensive redevelopment’ of the postwar period…That is, the Modernism of the icon, of the city academies where each fundamentally alike yet bespoke design embodies a vacuous aspirationalism; a Modernism without the politics, without the utopianism, or without any conception of the polis; a Modernism that conceals rather than reveals its functions; Modernism as a shell…” (pxxii – xxiv)

U-TOPIA?

“Geography is a system of classification, a mode of location, a site of collective national, cultural, linguistic and topographic histories.”
Irit Rogoff, Terra Infirma
 
How does a non-place take place?

‘Mapping’ is an ongoing investigation of lines, territories and forces which unfolds economic fluxes and urban plans apt to advertise and actualize new developments. This practice of ‘unbelonging location’ is constantly in the process of being formed, deconstructed and re-arranged. By showing the social milieux and the mental emplacements in new ways, the agency of mapping engages also a change in perceptual semiotics pregnant with social signficance and political potential. The links between regeneration projects, metropolitan hallucinations and counter-cartographies foster the critical dimension of geography – a theory of navigational principles and an arena of topographical layers of meaning. Consequently, if we understand the study of space relations as a critical and creative activity that opens up a fan of multiform productions and power relations, utopia – as the alleged chimera of space – may offer us an insight into the ambivalent world of urban development.
How do we map the interweaving dynamics of speculative regeneration plans and actual local conditions?
 
SOME LINKS:
London Bridge Station Redevelopment Plan:
Elephant & Castle Master Regeneration Plan:
Southwark Council:
Southwark Maps:
Moveflat Value Map:
Gumtree Elephant & Castle:
Gumtree Southwark:
 
SB

Architectural Folly

Anyone who has ever been to Redchurch Street will be shocked to see LondonNewcastle’s ‘regeneration’ proposals. Follow the links below to see their ‘design-orientated’ plans to monopolise the skyline of an area characterised by low-rise buildings, independent retail and market stalls. The company’s high-rise, mixed-use development would be sorely out of place and has been met with a mixture of ridicule, disgust and disbelief by local campaigners such as open-shoreditch.

http://www.londonewcastle.co.uk/#/developments/future/huntingdon-shoreditch

http://www.huntingdonestate.co.uk/

“OPEN Shoreditch member Jago Action Group is taking up arms against the gross over development of the Huntingdon Estate, the light industrial estate bordered by Bethnal Green Road and Redchurch Street, next to the Tea building. Developers Londonnewcastle are so passionate about the neighbourhood that they want to bless this low-rise mixed residential quarter with a 25-storey tower block.

In a cynical bid to buy off Tower Hamlets development committee, Londonnewcastle proposes to build affordable housing squidged between two busy railway lines half a mile from the gleaming tower block. The ‘fact’ sheet issued in support of the development application omits just one really crucial fact: the Huntingdon Estate application is for a 25-story tower block. And neither do the pictures tell the real story, as only eight floors of the proposed tower can be seen.

In a covering email, the developers claim to be ‘tremendously passionate about the location, the area and it’s possibilities…’ There’s no doubting their passion – to dig themselves out of the large hole in their balance sheet, as a result of taking an option on the site at the height of the property boom. Faced with a site cost of double what’s it’s currently worth, Londonnewcastle is desperately trying to claw back potential losses by bequeathing the neighbourhood a monument to its folly.”

 Above excerpt quoted from the article ‘ditch The Block’ – http://open-shoreditch.blogspot.com/

Design and Media Communication Meeting Report

Design and Media Communication Meeting Report

Development of NEOgate, Design Code, Visual Communication and Target Group Analysis

17. May 2011, New Cross, London

 

The human being has a “need” to accumulate and forget, as well as a need, whether simultaneous or successive, satisfaction and dissatisfaction, disequilibrium, discovery and creation, work and play, speech and silence. ______ Henri Lefebvre, UrbanRevolution

After discussing Henri Lefebvre’s Urban Revolution we realized that we were particularly drawn to his idea of spatial dialectic. From this concept we gained a specific understanding of a possible production of space, which inspired our plan and visual communication for the NEOgate development. According to Lefebvre, space is not merely a social practice, but a product with economic value. With this in mind we started planning the development, which deliberately embodies spatial dialectics, in order to meet the desires and needs of a particular target group. The name of our target group ‘bohemian bourgeoisie’ already implies that their lifestyle and attitude is based on a dialectic approach. Our next step was an analysis of our target group and its position in the economic market. During our phase of research we looked at upcoming and fashionable areas in London and noticed in how far creative communities can function as a catalysator for urban regeneration. Artists and other creatives are often forced to move into poorer areas of a city in order to afford accommodation and living. Creative communities have the potential to turn their local environments into new, exciting and desirable places of living. Particularly members of the ‘Bohemian Bourgeousie’ are attracted to artistic milieus, because they aspire to be seen as creative individuals. With the “Bobo’s” comes the capital, which raises the economic value of the area. Inspired by this observation we developed the NEOgate concept, which is based on the idea of the fabrication of an ‘artistic mileu’ to attract potential investors. One of our unique selling points would be that we are offering a dialectical space, which fulfills our target group’s demands. Through the Design Code, we present NEOgate as a development with a homogenous and yet heterogeneous character. One that is not so much informed by the history of the area but one that provides for an adventurous and safe u-topic experience. The masterplan will set out a vision; a vision where profit and luxury come first and where democracy, freedom and governance are a priority. A sustainable and thriving artist lead community will be demonstrated in all its manifestations built on five principles:

1.Economic Wealth

2. Focusing on image, consumerism, and lifestyle

3. Movement and Flow

4. Environment

5. Governance

 

During our research we focused on two different types of real estate development: NeoBankside and Heygate Real Estate. The word-play NEOgate highlights the idea that the area between Elephant and Castle and NeoBankside (Tate Modern) will form a new and exciting cultural quarter in South Side of the river Themes. The NEOgate logo refers to both the NeoBankside and Lefebvre’s work Urban Revolution. For the NEOgate’s visuals (which include language) come in form of artist’s impressions, we once more made use of Lefebvre’s spatial dialectics.